Our ears are still buzzing from two weeks ago. That’s noise for you. But we decided NOT to take the feet off the pedal. We just basically changed the guitar tone to something a little extra… fuzzy. There are actually a lot of things at play here, more prominently doom stuff, so you’ll find plenty to like if you been going to just some of the many psych fests being unleashed throughout the civilized world. So, not the Pagan Altar/Witchfinder General type of doom. This time we mingled with the slow pace, the thorny and the poisonous.
One other thing: it’s mostly newish stuff, meaning there is a good chance you’ll get in touch with fresh and exciting music to sink your teeth into.
Music never disappoints! Support SATAN MADE ME DO IT and come back for more exactly two weeks from now.
Punk and metal didn’t really saw eye to eye back in the day. Promiscuity is rarely the norm among subcultures in the beginning. Motörhead’s “Overkill” is essential if one desires to understand where Britain’s hardcore sound comes from, and NWOBHM in general owns a lot to punk, but that doesn’t necessarily mean that one group mingled a lot with the other. It says little about how scenes came and went and who belonged where.
Then came bands like Hellhammer with their primitive lo-fi black & roll/metal punk (which, truth be told, a lot of metal people hated in the 80s) and Amebix, who united the bridge separating metal and punk. Things are not this linear (they rarely are), but hopefully you get the picture.
Nowadays punks, metalheads, crusties, hard rockers, ravers and the bunch all socialize with one another. And that’s a good thing. As a result there are underground hardcore punks playing lead guitar solos more commonly associated with psychedelic (downright hippie!) rock, and headbangers with a knack for the electronic. It’s a brave new world.
This episode is once again for all you open-minded metal people. Enjoy the noise.